Canova and anyone who delighted in scratching and drilling holes in his most accomplished statues would not both be called sculptors; Raphael and a desecrator of his painting would not both be called artists. It would never occur to anyone that such a contorted use of words could be justified by claiming that both Canova and the person who destroyed his statues, or Raphael and his assailant used the same implements.
What is the system of truth but a kind of majestic statue or noble image of God himself, of much greater worth than anything produced by human hands. It is, after all, impressed upon immortal souls by the living image of eternal wisdom.
[Antonio Rosmini, About the Author's Studies, Murphy, tr., Rosmini House (Durham: 2004) p. 94.]