Mes Aïeux, "Dégénérations". In
Maria Chapdelaine, Maria, like Quebec, has to pick among futures represented by a trapper, a farmer, and a factory worker. The wilderness way of life represented by the trapper was already on its way out in her day, so it really becomes a choice between the latter two. It's brought to mind this song, which I've posted before, and which represents a much later stage of the same kind of transition, in which the traditional farming way of life has also dissipated.